POST
MÜLLER:
A PRAYER 4
THE 21ST
CENTURY
Hi
Hey
I WAS HAMLET
Cam?
Ok
The following is a reimagining.
All characters in this
piece are fictional,
and any resemblance
to any persons,
living or dead,
including those
elected or running
for office
in the past,
present,
or future
is entirely
coincidental.
LOL
“….the man was a bit
compulsive, let’s face it,
but on the other hand,
he was absolutely
the most amazing man
that America has ever
created, ever…”
I’ve memorized all 50,000
words in the past,
of the past,
but I forget
why I get out
of my seat
sometimes.
“Ok, I have got to interrupt
you right now…”
“Sorry…”
beyond the night inactive,
scratched out from this system,
start the sounds of beginning,
building this house up to remember,
putting on new faces, hard places—
all underneath your name,
regaining a little bunch of thought,
eyes turning to thoughts—
all stepping out to
get a warm-coded response—
between the yearning and the release,
between the hunger and the purge,
falls the slumber—
falls you,
faded star,
going mad—
falls you—
sprawled
lonesome—
this heart
reaches none
(everything)—
don’t get angry
with your
failed faith,
there will be
so many of
likemes
that will
love you,
hate you,
rebirth you…
you will rise
American happy
with ice cream
redemption—
O my
unown,
once in
a while,
tell me
you miss
me…
“…We want to tell you
what we know, as we know it.
There’s been some sort of explosion….”
HOLY SHIT!
OH MY GOD!
JESUS FUCKING CHRIST!
OH MY GOD!
WOW!
OH MY SHIT!
GOD!
(the user is now offline)
DEARLY BELOVED,
WE ARE GATHERED
HERE TODAY
TO GET THROUGH
WE WHO ARE LIVING
ARE NOW DEAD:
After the destruction…
Hamlet is left alone
on the near empty stage.
There’s still so much stuff to do.
With no help in sight,
his memory will have to be enough.
He is now Ophelia’s shadow:
red lipstick and wedding veil.
There are hints of
Coca Cola in the air,
maybe cyanide.
Maybe Amazon.com
and the ax of genocide.
Maybe foam at the mouth,
not unlike the foam of the sea
upon the rising of Venus.
He is stunned (drunk?)—
maybe overwhelmed
with melancholia?
Maybe yearning for
sunsets in the horizon,
fondly remembering
the Marlboro Man.
Maybe overwrought with
“flores, flores para los muertos.”
Maybe dried pussy willows
and better-not-be-freesias.
Maybe jealous he
was never a woman.
Maybe still zealous
of that night
he once had
with Horatio
many years back,
when he was young.
Maybe if he would
just have done
the things he wanted to do
with his life, without thinking
of the consequences, maybe….
Maybe he is also Horatio.
An inter-dimensional character.
He is youandme.
His footing is unsure.
The background is insecure;
the dread of not finding a cure.
Maybe an identity missing.
He takes an uncomfortably
long pause before
addressing the audience.
Something is not right.
One can tell something is not right.
He is present. And she is also a ghost.
And they are both in want, in want.
The future is indeterminate.
Somewhere in between.
They are sifting through the wreckage.
In the name of 👽—there is no pulse!
Some kind of alert croons
and hums in the darkness.
Missile airstrikes
provide us the bassline.
All of it is due to airstrikes,
mortars and cannons, all of it.
The audience should be scared.
We all should be scared.
We are scared.
We know we have to
make it to the other side.
Even if we end up forgetting
how we get there.
DEARLY BELOVED,
WE ARE GATHERED
HERE TODAY
TO GET THROUGH
THE POEM THAT
CANNOT TAKE PLACE
TAKES PLACE:
He swings his iDevice wild into the air.
Nuclear silence.
Lights up.
HEEERE’S HAMLET!
i am now mobile
sans cables and fables
designed in Mexico City
& assembled in the OC
i am now white small & personal
i am high industrial capacity
fully operational
out of the box & very original
yearning to be pounded on
ready to conquer the world
battery-operated & calibrated
more auto-voltaic than ever
i am now branded
i am now home
i am now current
i am now new
i am now active
i am now searching
i have the power
i am inevitable
i am ready for you
i am now poetic machine
to be continued…
with blood made out of lithium
come & customize me
out of oblivion
web me into
your wild
magnetic meridian
cell phone daddy me
come mass produce me
cum configure me
devour & use me
THE ACTOR
PLAYING
HAMLET
(PRE WWIII)
Who made me live
by the fire by the sea?
The stars all fell down,
they were calling onto me.
Who made me dream
of the city in my mind?
The brain is caught
barring the heart;
the heart is caught
redacting the muscles,
and I am caught in a lust,
fanatically spinning
the occidental thread;
digging out of the dead;
out of control;
will this neon yarn ever end?
I am only a collector of dust
dressed in 20th century dread,
entwined upon trunks of
my western artifacts looping,
re-posting each other,
copying themselves
on feed upon feed,
as in need upon need.
Pearls on a string theory revolving
round my disheveled cat memes.
O and look at Little Miss Media,
she demands and I swipe to the left.
She demands and I tap on the flame.
I ring on the bell.
I like and subscribe to her
tactical nuke strike.
I am tuned in,
feverishly awaiting
the next sacrifice—
a broadcast of digital passion—
bombs bright bursting in air—
a coup simmering in the distance—
a song to keep me out of youandme.
When will it catch up to us?
HAMLET FOREVER:
THE NEVER-ENDING
FRANCHISE
“What do you think you will do
tomorrow?” Dr. Milner asks H.M.
“Whatever is beneficial.” He responds.
I WANT TO BE A
MACHINE
My brain sometimes tells me this,
and then something else.
And my conscience tortures me.
I don’t know what’s happening to me.
HAMLET?
HAMLET IS DEAD,
MY FRIEND.
YOU CAN CALL ME…
NON-SMOKER.
AND AS YOU CAN SEE,
I’M A LOT HAPPIER!
(maniacal laugh,
maniacal laugh)
Suddenly I’m in a blank.
I am a blank.
A blank in the dark—
but I wanted to say so much more—
but my mind, but my mind,
it keeps blocking itself.
Stronger to get her!
Was that it?
STRONGER
TOGETHER!
STRONGER
TOGETHER!
We suffered a lot, a lot.
I took a piece of my heart
and put it on the floor
of our house for him.
For daddy.
SOME BLACK HOLES
ERASE YOUR PAST
AND GIVE YOU
INFINITE FUTURES
But I’d like to think I still matter.
I still matter in this one, don’t I?
On my cell phone scrolling,
scrolling, and suddenly
the Motherboard article appears
on the small screen and I think:
some other me will be having a ball
later tonight, or maybe several balls,
or having a ball precisely because
I will be having several balls…
or he will be…or she will be…
or they will be…or mmm…
balls throughout all
my many black holes—
I remember when we were young
and you were on top of me
on the couch, you asked,
“why can’t you just be a girl?”
Baby, I am making it up as I go along.
YESTERDAY
IS A HARD
WORD FOR ME
Let me tell you a non-sequitur:
Once a upon a time
I used to care about many a-thing.
I used to care about
each line in the prayer
or
I used to care about
each line in the poem
you take your pick, ok?—
wanting the audience to be
transported into the unknown—
the lines in the text in full sus
pen
si
on.
Nowadays I regret not getting
the All Wheel Trim Level.
Nowadays I worry.
I worry most
about the batteries.
I worry most
about the batteries on my cell.
I worry most
about the batteries on my cell
not being charged.
It might be all I have left that
makes sense in this the new style.
iHEART
BACKUP
FAILED
April is gone—
can’t believe April is already
bye bye gone
and I’m still concerned
for the horror of
any spacetime to follow,
especially with the
world set on fire.
Excuse me,
the word
set on fire.
I must be careful
with these corrections.
Change is possible.
Change is possible?
Can’t believe how
boring these days
would be post-
Bobby Mueller…
You see, I’ve been on
this forward-thinking
path as of late.
You see, I’d like to focus
on something entirely new;
the right side of history, or
how it always comes by too late;
the morning after
the apocalypse, or
how today is
a fresh century
for poetry.
O, YAWN EMOJI
Baby, I’m thinking about you
and your brain;
the darkest residue built up
in the synapses of your past…
When we lose
large parts
of ourselves,
are we not
able to move on
with what we’ve got?
Are we trapped in these
holed-out worlds forever?
NONSENSE
I believe I can re-wire my brain.
I believe you can too.
I believe! believe! believe!
Baby, you can too! You can too!
Even if you don’t believe, believe!
Even if the keyboard keys
get stuck right at the feces of it.
Seriously though,
I believe in commas
much more than
semi-colons;
I also believe in you.
I believe in butter and
I know you do too.
Focused is our story,
we are the main course
(of course)—
youandme
cinematically obscene.
Baby, I’m real excited
at the idea
of seeing
you soon.
I picture you
well-behaved
and clean-shaven,
maybe that stupid
mustache of yours
will not be present,
alas, not your size 32 waist.
Your brain will be
doing everything
it can to remember—
remember.
Baby, disremember is
the cruelest month.
But April?
Last night you smelled like a little
musk of Zoloft and bright LOLs.
We were drinking and laughing
like the twenty-year olds do.
You leaned over to ask me
about the recent news
with the Attorney General,
“Aren’t you just dying or what?”
Your tempus vērānum shirt blooming
and radiating a strong heat,
almost like a burning desire,
but how could that be,
wasn’t it just the beginning of spring?
WHAT IF
THIS IS
AS GOOD
AS IT GETS?
finally
out of fever into you
I put on a new dream just for size
there are new colors here
even as the past of me
unresolves with the future us
(we break open)
I keep leaving blanks just in case
darling don’t you dare say
I didn’tdon’t keep the fire
going strong & able
you know I’ve keepkept it
so volcano hot for us
& for ohsolong
O menman of all my time
I’ve been so afraid you
won’twouldn’t keep up
with the fable
been praying madly
inside our cabin
by the woods
anxiously awaiting
your homecoming in the rain
keeping our hypothetical table
clean and ready
so upon your return
with the metaphorical
you can literally
beatmebiteme&abuse me
yes it’s so weird the way
we connect things with other things
like the very first time we met
at the audition for the murder-mystery
when I first sat next to you
even then I knew
even when I saw
your curious fish eyes
digging deep into me
even then I knew
you were an actor too
you sang onedoorcloses and
tap danced andanotheroneopens
you told me I was a poet with a force
and then you let me loose
watching me wear out the battery
like the energizer horsebunny
desperately making up
for the lost&found in us
trying to maintain
the fantastical bridge
bringing us closer into
a tight domesticated pitch
(bewitched by the bright
pixilated bliss of this
our digital abyss)
I keep this one short to keep you
and keep you from mixed labels
but most of all keep you from:
my flesh is flushed
with the idea of your
ditto hands upon
my forever lips
I TRULY CANNOT
CONNECT NOTHING
WITH ANYTHING
Winter is here—should we
wear our masks tonight?
I keep vacillating between
my corporate daytime
and my nightly transgressions
on the interwebs;
flashing marks,
fleshing me out of sleep,
leaving me in hormonal purgatory—
the ephemeral is bad
chemical for the brain,
but we keep scrolling, scrolling
because we’re on an endless search
for the most affordable fate.
AND STILL
THE XBOX
IS NOT FULL
Nowadays I’m stuck in a coma,
obsessing over Nietzche’s abyss,
thinking how hard it must be
falling and falling,
trying to hold onto
something,
anything really,
even the
Oxford
karma.
YOU CAN’T
HANDLE
THE TOOTH!
It must get comical after a while,
not reaching anywhere radical.
The rug pulled out
from under our feet—
are we there yet?
LIKE MY MAMA
USED TO SAY,
TWO TEARS
IN A BUCKET,
MOTHERFUCK IT.
We are just free-falling-
senseless beings now—
the air thick in
happenstance now—
erratic fascism by
pure chance meow—
an accident that was made
to look like an accident
waiting to happen meow—
Time caught in a bubble
of unknown rhyme.
Time is the missing airplane
remembered in jest.
Time is caught in
viscous walls of fear,
and the power it comes,
the power it goes,
the vicious flower of foes.
I’m looking for angles, ha ha ha,
I meant to say angels.
Many angled angels
covering all of our bases.
We’re all looking for miracles.
SHUTDOWN
Dear HAMLETMACHINE,
I remember there was a cool breeze
dipping into my great expectations
that early October in 2016.
I was at the airport
trying to reach you up north.
I remember the drenched optimism
upon clicking the breaking news,
“….grab ‘em by the pussy.”
I remember I even texted
you about it and you
responded with something
along the lines of I know.
Baby, am I just making that up?
Fantasies.
I remember you
driving me
all over Sonoma,
thinking to myself you will get
along well with this landscape.
The roads in your new neck
of the woods so wide,
with large swaths of
green on each side,
earthy lots full of
American product.
This was a place
where people went
to escape their character.
Yes, you said very beautiful,
and I saw very beautiful too,
but So Very Lonely was its name.
I remember thinking the roads like
I can’t wait to get home.
Home is where the heart is.
Home is where the heart is.
The roads like
the world
about to change.
The roads like
the impossible
possible.
The roads dazed and confused,
blood-soaked and cursed.
The roads eating themselves
and spitting us out
to nowhere real fast,
in echo construction.
The roads red.
I WILL NEVER DROP
OUT OF THE RACE!
The roads funny like that.
HELP! HELP!
THE AMAZON!
THE AMAZON
HAS FALLEN
AND IT CAN’T
GET UP!
Dreams and realities full of
what’s another word for seizure?
My brothers’, my mother’s,
Horatio’s, my own!
Mixing together and breeding maniac
out of our brains at some loss,
some misconnection—
a misfired neuron,
some break, a tear and a wear
on our dear constitution—
our eyes stuck in boomerang mode;
stuck on the precipice of
dawn on repeat,
dawn on repeat—
it competes with
out of one, many miserable.
HURRAY,
THE SYSTEM
HAS CRASHED!
Hamlet, I hate you so much.
Your machine broken.
Always broken.
You made it broken.
Rigged it broken.
Big-lied it broken.
Hey, I’m talking to you right now.
I get the overwhelming sense of
yadda yadda yadda…
Hey, I am speaking to you right now!
I miss the shit out of you right now.
I want to feel your imperial breath,
stroke the back of
your conquistador neck
as you fill up my
pre-Hispanic receptor—
hey, you should have conquered me
when you had the chance!
Hey, I know you are up to
your eyeballs right now,
but text me when
you come up for air.
I will wait for you still
with a patience.
For of wait and of silence
and of continuously
pleading you,
I am made up.
Hey, I will fight
your mother for you!
LOCK HIM UP!
LOCK HIM UP!
Let me go back, please!
Return me to want, to want.
It was a gentler desiccation then.
It was like praying.
Full of potential.
It was like laughing, swallowing
the tiny misery away, hiking
it down to the bright nowhere of me,
dropping it down to the grand
hollow of me, crashing it down
to the jagged edges of me—
where the base of us
keeps drumming the story.
HAMLET’S AIM
TO HORATIO
(FRESHMEN YEAR
COLLEGE –
FALL 2003):
how are you?
how’s newyork?
how’s everything?
how’s theatre school?
how’s work? how’s my friend
in the east coast dealing with life?
me? in between sober and the unreal,
not feeling so well. to be honest,
i don’t believe in anything
anymore, you know?
it’s not an absolute resignation,
but the drive in the blood is low, numb.
the days go by harmless,
a worn out place;
a little bit is my father.
isn’t it so strange about Elliott Smith?
in a way, i’ve always admired
the ones who say
ENOUGH IS ENOUGH.
where are you?
WHAT I HAVE
LEFT IS ENOUGH
(PRUFROCK TO
VERDENAL –
AUGUST 4, 2004):
O midnight heartcrasher,
frontier addict of desertion,
forgetful manic of elation,
in distant howl you got me here,
in jump&skip you mapped me here—
to recover the old flesh,
to uncover sober beats.
(But now to use the rest of me—
the muted skin,
the wounded nerves,
the strained voice,
the bestbeast of me—
the newraw
constructed me—
to make me real again.)
Come bendbreak the midnight,
O green-eyed buccaneer!
O green-eyed refugee,
seeker of hourly mothers,
you graphed my lonely hands;
wrung out, dried out, cried out,
spaced out, smoked out…shut out.
(But now to use the rest of me—
da bitter bones, da false senses,
da burned-out impulses—
to make me reel againe—
disexplain these lonely hands.)
O disembodied figure,
cry out the women, climb up
to the womb that is your sweetheart
(desperate me),
wai waii waaaaiiiil it all out.
I am in the abstract trenches,
lost in the crumbles of the mind—
how could things
have gotten so rotten?
Slumberfalling—
I am calling out to the missing flesh,
scattered amongst the fastforgetting.
Excavate yourself! Do not let
yourself get buried down!
Reassemble. The time is only now—
in fever you are a ballad;
taking me—
I turned into
shivers and spins.
in ailment you are a hero;
robbing me—
I slept into the
color red burning.
in dying you are a harmony;
swirling me down
to a BREAKDOWN:
if I am going to die,
I am going to die with
youinsideme.
RUMSFELD REMIX
(CLAUDIUS TO
GERTRUDE –
AUGUST 7, 2004):
let me finish please please
I’ve had you deep
in the roots of me
let me please finish
if you don’t mind please
I got you hard
in these bones of me
let me finish please
for a minute please
the house of me
burstbreaks for you
dances for you
giving you all I can muster
please if you don’t mind
please please please
I want to rescue your dreams of dull
let me finish my answers please
if you don’t mind please
I’m carving nonesuch realities
scratching the surface
to rediscover brilliant
shots of our love
the only things I have left
here they are please
please please let me finish
offering a sweaty smile to your blue
AT THE
AFTERPARTY:
(ROSENCRANTZ TO
GUILDENSTERN –
NOVEMBER 7, 2006):
We said we were going
to kill each other.
Pulling triggers
at the count of three.
You’d start the blast,
even though initially
I was to shoot you first
pretty please.
Be witness to your red all over.
But we opted for a
simultaneous
homicide instead—
that would be the best,
the sure and only bet.
You would find the gun.
What kind of bullets
did you say you’d get?
Hollowed-out something something.
I wanted silver bullets, just in case.
We conversed about our
upcoming deaths well into the
wee hours of the morning,
taking us as far as
can we kill the 💩
while we’re at it?
Then suddenly somebody
called you on your cell and
you blurted out our plans—
Forget it!
I shouted back.
Now the government
knows everything!
Besides, you know who
would be in charge.
How exhilarating!
The ballad of our
semi-twisted fists,
the prospect of our
synchronized suicide
fondling the future.
The next day
I texted you with
bang! bang!
When you replied you wrote
I’d forgotten the whole thing.
O, Call me Lazarus!
Only in these short and deadly
terms could I relate to us,
could I unbind myself from
your amnesiac thrills.
I am alive without
you once again!
And Virginia is so close
to giving us the senate.
Will Rumsfeld be imprisoned?
What’s that wild imagination?
(impeachment)
Maybe in a few years we’ll
wake up, Donnie and vote.
In the meantime
how many more ways
can we find to off
each other for good?
AT THE
SLUMBERPARTY:
(OPHELIA TO
HAMLET –
SUMMER 2010):
there is still
plenty of muck
stuck deep in
the water column
a vast murky oil spill
cutting across the great gulf
separating our two
lonely lands
nothing is easy here
removal from your void
is like the work of
robotic submarines
struggling to contain the leak
sinking deep
into the unknown water
blinking low
to cool the burning heart
which blew out far
below the surface
at the wellhead of our
ocean floor
FEEL THE BERN!
FEEL THE BERN!
My time cells! Oh me, oh my!
My time cells are out of joint!
I seem to be stuck in 2016.
What was I thinking about earlier?
There was a line
I was supposed to say
out loud at this point.
I seem to seam unto myself
over and over,
knotting and doubling
and being woven badly,
left only with the scarred lines.
My ravens besieged
with their nevermores—
they gronk gronk
“you’re such a whore!”
You’ll have to deal
with the consequences—
the lines stacked on
top of each other,
without break,
disregardful
of your ideals.
You’ll have to research.
If you are not willing
to take me on,
then it’s all on you.
I refuse to accept this era!
I refuse to provide any more evidence!
I just can’t turn around to see
what is happening behind me.
It’s what we can’t see,
that’s the scariest thing.
FYI, the temporal code
in my memory got hacked,
so don’t respond if I send you
a friend request, ok?
It’s not me!
WHAT MAKES
LIZARD PEOPLE
LIZARD PEOPLE
IS SOMETHING
THAT YOU CAN’T
SEE
I just can’t
turn around
to hear what
is happening
behind me.
It’s what we can’t hear,
that’s the scariest thing.
What is the next line?
Something about the world.
Something something
the world not being enough.
Or the stage not being
enough to contain us.
Did we break character?
I can’t remember.
For the life of me,
I can’t remember!
I can’t turn around
to speak of what is
happening behind me.
It’s what we can’t speak,
that’s the scariest thing.
The full moon will
be tomorrow, right?
Or was it really
two nights ago?
It looks like a
full moon tonight—
yet again it might be
tomorrow instead.
It is indeed just
in our heads—isn’t it?
Or is it the other way round?
It’s always looking back at us;
the moon just one of the
oculist’s bespectacled eyes:
a silver monocle intensely focused
on us going in and out of the city,
over the heaps of ashes, ashes.
Heaps of ashes worth repeating.
THE MOON
IS A PLANET,
DARLING
I know
there is
a space
I am ringing into.
I know
there are
voices and
blackbirds
and oceans
and deserts
and climates
and lines
and borders
bleeding
upon each other,
singing in this
the opposite of the void,
taking on an electric transport
into the whitest of the new moon—
O here come the notification bells!
.
WE INTERRUPT
YOUR REGULAR
PODCAST
TO BRING YOU
DON’T FORGET
TO TAKE
YOUR PILLS
TONIGHT
Rubble, rubble
foil and smuggle;
fire burn, and
yearn to struggle.
Friday evening:
iPhone hanging
onto my body,
willfully suspended next
to my middle loins.
I’ve lost the optional,
the kissable proximal,
the tropical radical,
the third dimensional.
I’m so unconventional—
married to myself and upgraded to
STRONG PARENTAL
GUIDANCE IS ADVISED;
every moment online
wishing for something else,
someone new, some other me.
My private photos are visible now.
Someone confined to the suites
of expensive hotels, begging
for hard & romantic embraces,
trying to escape the pandemic.
Do you remember the days
before we forever-fell in over?
We were vertebral
back then, weren’t we?
It felt like someplace normal,
full of admiral people, didn’t it?
Sometimes I envy the dead
because they’ve finally found
somewhere to settle down.
Cut to—the rest is silence.
WHAT DO YOU MEAN
‘TO PLAY US OUT?’
FUCK IT!
WE’LL DO IT LIVE!
Search any top newsfeed
of the day, go ahead—
destruction, distraction,
pure mental dissatisfaction!
A not-so accidental extraction
of our capacity to—
O hope, where did you go?
What were we thinking about earlier?
There was a line
we were supposed
to say out loud
at this point.
Unable to cope,
we ask myself
many times over:
is there wifi in the abyss?
Amid all this distress
in displacement,
empty promises, slipping
through the net;
we remain
under construction.
Words. Words Words
But anything new
must be built on ruins,
and the people you’ve
lost in the past.
Answer: the next line.
Question: what is Post Müller?
A tool used to remember,
but no one on the outside knows.
A story about a father and a son,
and the zillions
of terabytes
that followed.
The oil spill now
on the shores
of my hometown.
The chemical waste
gushing out of
the shower head.
The child
staring at
his dead
father’s
photograph.
A homecoming to old structures,
as if they could still
save us from ourselves.
Stabilizing the walls is a priority.
We must rebuild exactly as it was.
But also a rapid
unscheduled
disassembly.
A lack for lack’s sake.
At best, a will to digest.
The scroll of scrolls.
It’s been aching for years.
Very wary of the new
kids on the block,
but hungry to be off
with itself in itself.
Immoral trapcode;
an idea birthed in spring,
sprung out of your suicidal seeds.
The spread of all spreads,
optimizing its own interests;
subsidizing misinformation;
repeating the same stories
as if for the very first time.
It keeps exploiting our vulnerabilities.
When will it come to the end?
It keeps adding emergent
properties, growing with
complete disregard
to the rest of us
It asks, “what if 2020 is
just the ‘birth pains’ of what is
on its way in 2021 and beyond?”
Below the words of its
last Facebook post
(MUCH LOVE
AND HOPE
TO EVERYONE!)
there is an image,
a screenshot
wholly familiar:
a zoomed-in version of
Michaelangelo’s Creation,
a close-up of 👽's hand
reaching out to Adam—
did he really believe his heart
was holy flooded with the light,
confident in hope,
enough so that
the only way out
was to commit unto his children
what all fathers should fear most?
Afterwards he said it was
“the only course of action
to save the world.”
His eyes and hands in pantomime.
Thumbs and indexes frantically
tracking down the enemies
in his dislocated dream,
fixated on surpassing
the imaginary score.
His family tries to bring him back;
they call his name and shake him out;
they call the local priest;
afraid he’s utterly possessed
by internet incarnate—
The play is not the thing here.
See why this phone is so dear.
It has everything.
That’s why I’m always holding onto it.
All the while them Russians
and them Chinamen
(singing O say can you fee?).
Alas! The Great Alas!
People are often more
generous than we realize.
This metal device has
become my world.
Pretty little lies.
Prissy little cries.
Petty middle rhymes.
I’m holding onto it
like I’m holding onto
an address of my own,
to my family.
It likes being in the
anonymous shadows.
It can come again by us.
It can come again for us.
It can come again to us.
This thing is showing teeth.
This thing needs to breathe.
THE FANTASY
BEWITCHED
BY THE BRIGHT
PIXILATED BLISS
OF THIS OUR
DIGITAL ABBYS
It is not worried
about the meaning
in the poem
because it knows
there will be a sequel,
followed by a prequel
released via screaming
devices everywhere—
Side effects may include
eating disorders and
thoughts of patricide.
Ask your doctor if
Post Müller
is right for you.
BLACKOUT
Where will you be
when the bomb poems?
Something is rotten
within the hymn.
Everyone hiding
out subterranean.
Everyone out for themselves
and may the best woman, win!
Picture Ophelia
returning home
as Electra.
She sends us a special
news bulletin, stillborn,
she knows the past
is strong with us.
But nonetheless
she persists—
and may the best
drag queen, win!
I WON’T
STAND
DOWN!
I WON’T
STAND
DOWN!
I sing for the recovery
from this inferno.
I sing for the micro cracks
in the blood-stained
glass of our windows.
I sing for the cosmic serpent’s eye
unblinking with tears of ideas
as we attempt to fly over
the unspoken mundo—
I sing for Shiva’s eyes
suspended on the freeway’s
billboard, staring deadly down
on us as we drive through
the heaps of ashes, ashes!
Heaps of ashes worth repeating.
Do you remember where
you were that fateful morning?
Some had no choice but to jump off.
Some hid in the frozen food isle.
Some are believed
to have drowned
in the water.
Some are still unaccounted for
and it’s believed they
will remain as such.
Some did the best
to save others
trapped in
the wreckage.
Some led others
to an escape
through the
back door.
Some ran straight
into the shooter.
Some went back
into the fire
and the smoke—
into the unconscionable stroke
of our collective mind.
Against the darkening
of the dull, dear—
For a moment there,
I thought the voices of the survivors
were coming from within my mind…
Is anyone there?
Is anyone hearing my voice?
This was supposed to be
lovely and weee, dear—
but something greater
than ourselves got the
best of us, dear—
when we now
enter the building,
we first search
for the exits, dear.
O Lord, forgive me
for I don’t know
who holds the
ear to my voice,
or the hands
for the projector—
there must be a wall.
O Lord, forgive me
for we will never
meet in person.
O Lord, we do them ill.
We do them ill…
but a new century
breaks open, asking:
what came first,
the proto-hen or
the proto-cock?
IT IS WHAT IT IS
IT IS WHAT IT IS
It’s raining men! Kalapooia!
It’s raining men!
O desperate men!
Clinging to the fuselage
of the aircraft.
It’s raining men! Kalapooia!
Abandoned men.
There’s nothing we can do.
A system under
sustained stress.
IT SHOULD BE
THE FIRST THOUGHT
YOU HAVE WHEN
YOU WAKE UP
IT SHOULD BE
THE LAST THOUGHT
YOU HAVE BEFORE
YOU GO TO BED
Am I stronger than the app?
Am I stronger than the app?
Fake it ’til you make it.
Fake it ‘til you make it.
THE ALGORITHM IS
MY ADDICTION
AND MY ADDICTION
IS THE ALGORITHM
But we also
have to have
beautiful places
where people
can come
and think
and be challenged
and connect with
the big questions of life.
WHAT A MORON,
JESUS CHRIST!
My heart does not have it in him.
My heart skipping, scratching t
he ideas of what should.
I walk around the house
barefoot, wet and naked, settling
on the living room floor,
parallel to the flat
screen TV, kneeling
as if praying,
in child’s pose,
as if begging
for my life.
STOP THE SHOW!
STOP THE SHOW!
THERE IS NO PLANET B…
BLAH BLAH BLAH
LOCK HER UP!
LOCK HER UP!
PRINCIPAL
CONCLUSIONS
AS SOON AS
THIS WEEKEND.
GOOGLE.COM
HOW NORMAL
AGAIN STOP NOW
What was I thinking of earlier?
I wanted to say so much more…
WE’RE GOING TO USE
THE BEST POINTING
DEVICE IN THE WORLD
My philosophies going
into the cage;
and my algorithm?
IT WORKS LIKE MAGIC
I feel like
I just have to
lie down and rest.
I do have a voice-over
gig in the morning.
“Siri, I’d like to submit
a wake up request and
while you’re at it,
set directions for Burbank.”
I know you’re an actor.
I’m an actor too.
But how will we know the difference
between the real and the digital?
WE’RE GOING
TO TOUCH THIS
WITH OUR FINGERS…
WHICH IS PHENOMENAL
I’m done playing the Hamlet role!
NAH HE TWEAKIN
These words are not my words.
My script doesn’t exist.
You care as much
about my drama
as the reel Hamlet
cared about his momma.
But who’s to say this is not a poem?
I am my Mexican mother’s son.
I am my Mexican father’s son.
I am my Mexican brother’s brother.
I am my Mexican story
interrupting the news crawl.
I am my Mexican journey
still developing a meaning.
I am my Mexican gospel
coming soon to a theatre near you.
Did you hear Mexico is on fire?
This past summer Xolotl’s
single eye of fire raging hard;
a warning of what’s to come,
watching us dumbfounded via its
one hellfire light of wrath—
we’re trying to control
the damage, dear,
putting out his perpetual
candle in the gulf.
And yes, you’re right, Mexico
has been burning since forever.
But Mexico has The. Best. Food.
Ever. Anywhere. Okurrr?
LOL
THERE’S NO PLACE
LIKE ROME!
THERE’S NO PLACE
LIKE ROME!
Let us have it at any cost.
Let us be in and let us in.
Let us erect our own
memento and then honor it.
And then let us transform into US.
Always transforming,
as if surreal was the air.
Always making and
singing new songs.
Where’s the beef?
Is it in you?
Can you hear me now?
Just do it.
Snap! Crackle! Pop!
Once you pop,
the fun won’t stop.
Do the dew.
Good to the last drop.
Give us a break
and break us off
a piece of your way,
right away!
Let us just do it.
Let us taste the rainbow,
We hear it’s finger-lickin’ good.
Oh yea, we’re lovin’ it!
And here we go now:
THE DREAMS
OF MY PADRES
LIE SMEARED
AGAINST
THE BORDER WALL
Dear Ginsberg,
I am only a mantra
for someone else’s
political opportunism,
for as you know,
in America’s legal system:
one day you’re in
and the other you’re out!
LOCKDOWN
America,
10 min. break.
And not one millisecond more.
America,
give me a sign!
A DM! A post!
A disappearing image!
Anything!
Throw me a bone
as I cry you a river!
I sit chained to this crucible
without any quantum relief,
caught up between
the squared root
and the red,
white, and Q—
WARNING:
THERE WILL
BE BLOOD.
Mental Trump!
Illogical detention center!
Trump who makes me
a stranger in a strange land.
Trump who makes me laugh
at the ring of a stranger
in a strange land
here in COSTA MESA.
Trump designed by
Carlos and Noemí in CDMX
and assembled in
god bless the USofA.
Trump forgive those
who trespass
as we forgive
your sorry ass.
Trump the moral arch broken
because you can’t take
Juan fucking joke.
Trump deep in
what’s another
word for insanity?
Trump it looks very lonely.
Nightmare on Trump Street!
Night of the living Trump!
Trump scream!
Trump not a quiet place!
Trump the sixth sense!
He sees purebred people.
Very fine people.
Trump crossed lines!
Trump crossed wires!
Trump crossed fires!
Trump lost stands.
Trump I’ve had it with
Hamlet’s discontent.
Trump resistance is futile in
he who must always be named.
Trump my blood is on the line.
Trump I give you my blood.
Trump we all give you our blood.
Trump whose got blood on his hands!
Trump
YOSEMITE!
YOSEMITE!
YOSEMITE!
Trump a new sip of water.
Trump the absence of the abstract,
the lack of a change,
the inability to pleasure himself.
Trump we are all your Othellos.
Trump a lack of mind’s eye.
Trump this is the end
of the act, right?
Trump these false
starts of mine.
Trump the song
stuck on repeat.
Trump I thought I could
unplug the real, reel easily,
only to find everything
remains status quo;
we wake up in Trump.
Trump too much to bear,
too much to roar,
too shocked, too mocked,
too broken, too worked,
too worked, too worked to care.
Trump we live
in the land
of many kings,
that’s where
we are now,
that’s a bingo!
Trump all work no play,
we go home to kill
a mocking bird.
Trump BREAKTHROUGH.
But the work
remains:
deadlines,
breadlines,
blurred lines,
fine lines,
divine lines,
brain mines,
all before lunch.
STOP!
SICLE &
HAMMER TIME!
What is the 21st century, anyway?
Humanity loves a cap
on the imagination,
but it also has a keen
sense for recycle.
I pray for Putin.
I pray for Xi.
I pray for Mitch.
I pray for Obrador.
And by pray I mean,
off with their heads!
Shocked?
Sue me, daddy!
Sue me all you want!
GUUUCCI, I’M HOME!
PS 5: Ginsberg,
on the Nature Is Scary
twitter account:
a croc chows down
on a zebra; a snail preys
on a worm; a stag is stuck
in the rocks; a hawk eats
a pigeon; a humming bird
is caught by a preying mantis
right on the feeder;
the jagged mouth of a penguin;
a new-born iguana is chased
by a murder of snakes;
the mosquito leg looks like an alien—
In Afghanistan all residents can do
is brace for the onslaught.
-- 8:40 PM, August 16, 2021
Costa Mesa, California
FROM SOME ANGLES
YOU CAN SQUINT
AND IMAGINE
ALL IS WELL IN
NOTRE DAME
Don’t look at the symbols!
They are sacred and if you look,
they will activate.
And if this is what
I have to leave behind,
then this is what I leave behind.
I’ve felt Prufrock’s dread,
high as fuck, on a lonely
Tuesday afternoon.
And gurl, let me tell you,
it was a feeling…
Like why don’t you break
open more often?
O fantasy is such a bummer.
Like we should know better.
I’m so sick and tired
of Prufrock’s paranoia.
Like why don’t you forget
your blind commitments?
Would the universe have been
disturbed that much if you and I
could have had the balls to kiss and
in between the fever of our flesh
perhaps also get to know the
memory of our fingers and discuss
further your fascination, adoration
for Bach, bicycles and Salvador Dali?
Like should we dare?
I’m so sick and tired of
Prufrock’s privilege;
Prufrock’s rage and mania;
Prufrock’s toast and tea;
Prurock’s silence;
Prufock’s genocide;
Prufrock’s cyanide;
Prufrock’s snide asides;
Prufrock’s impeccability;
Prufrock’s quandary;
Prufrock’s cowardice;
Prufrock’s downfall;
Prufrock’s inability to love himself,
accept himself for who he is.
A virtual, programmed worship.
DEARLY BELOVED,
WE ARE GATHERED
HERE TODAY
TO GET THROUGH
SMOKE ALARMS
IN OUR
CATHEDRAL:
our iPhone who are in Google
hallowed be thy screen
thy power charged
thy settings set in earth
as they are in Cupertino
give us this our daily homicide
mass shooting suicide
breaking news infanticide
bi-weekly genocide
give us our reddit
who art in 4chan
give us this 8chan
our daily Minecraft
and deliver us from nada
pues nada tostada
forgive us our carrier
as we forgive their
terms and conditions
lead us not into Android
and deliver us from Snapchat
forever and ever
slide to power off—
IN THE NAME OF
THE BLOGGER,
THE MEME,
AND
THE HOLY POST
stay awake! stay awake!
the argument of and
for reality is at stake
FORGET IT, JAKE TAPPER.
IT’S CHINATOWN.
let me begin here again
each line gets harder by the tweet
but these false starts of mine, I give
but this fake news of me, I give
but the verse now
so medium rare, I give
that’s how they like to keep us
Yoda Yoda Yoda
I pray to fulfill the simpatico quota
beautiful faces beautiful graces
I like to start these and then
leave them alone for a while
beautiful places beautiful spaces
I pretend to render control in
order to regain a poetic bliss
IT’S A POWER GRAB TO
ENABLE A POWER GRAB
it’s the ending that is the scariest
it’s what we can’t end that’s my Judas Iscariot
and it’s that I can’t figure out the the
or the da da da
I REALLY DON’T CARE, DO U?
I am angry
is that okay with you?
I am not sorry I am angry
rinse and repeat
I proudly sing this anti-gospel
it’s what we can’t find,
that’s the scariest thing
what we can’t find anymore
do something! do something!
the house is made of straw
and remains divided
only a reflection of what it
once appeared to be
with broken rooms as
remnants of abundance
a surplus inverted
a not-house
a square and a frame
what’s another axiom for
used to be the home of the brave?
where is the love?
where is the love?
YOU DO NOT HAVE
ENOUGH SPACE
IN THE IHOLE TO
BACK UP THIS IHEART.
hail Alexa
forgive me my spelling errors
full of my CPU
Bezos is with thee
blessed art thou among speakers
and blessed is the core
of thy memory IBM
holy search engine
mother of Al Gore
pray for us customer #s now
and at the hour of our hashtag
switch today and pay zero down
ashes ashes we all Notre Dame
ashes ashes we lost noble aim
ashes ashes our building’s frame…
still on fire
Goodnight Clorox wipes
(with 99% killer power)
Goodnight Listerine
Goodnight Arrowhead
(100% Mountain Spring Water)
Goodnight common sense
and common sense victories
Goodnight children are
the future everywhere
Goodnight, goodnight
Tesla Tesla
Tik tok Tik tok
WE THE JURY FIND
THE DEFENDANT
NOT GUILTY
hear, O Twitter!
Oops, hear, O X!
the Bot is our Chat
and our Chatbot is one
glory be to You, O Holy Plastic!
blessed is your name and
high is your trash heap
Alexa, how do you spell NETFLIXCHILL.
-Angel Correa